Valentino’s last couture assortment was an example of true decadence. Established in a gilded galleria, presenting gilded gowns, gilded nine-inch heels, and even gilded visages, the opulence was overt. In stark distinction, imaginative director Pierpaolo Piccioli’s slide offerings are subdued. The designer opted for a quieter runway, whispering in sweet nothings. In several approaches, Piccioli aimed to faucet into not only what we collectively have to have as customers of trend, but what we miss as a modern society: Tradition.
An homage to the city of Milan, the present was staged at the Piccolo Theatre, an ambassador of the country’s loaded romance to Italian theater. With lockdowns of public spaces taking place all over the world, picking out to reopen the theater to present Valentino’s audience-significantly less runway serves as a hopeful reminder of the arts we hope to enjoy after the pandemic abates. As mentioned in its press release, Valentino sees it as “a daring, nearly punk gesture,” to opt for the location. Supplied Valentino’s signature rockstuds, the alternate decision tends to make sense.
We’ve grow to be accustomed to Piccioli’s penchant for vivid fuchsia and the house’s iconic Valentino purple, but this collection’s monochromatic coloration plan invited us to a new feeling of intimacy. The dresses presented a game of transparency, heavily showcasing laser lower textiles and sheer washes of lace, shielding and exposing the system simultaneously. It really is a leggy runway, exacerbated by slashed, micro hemlines and a welcome return to pointy stilettos. Intentional layering and crisp silhouettes make his vision distinct. Not a collar feels out of position. It is really a refreshing palette cleanser that encourages us to reflect on the facts, about which there is a great deal to think.
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